The Future of Thai Content Shines Brightly with Thai Soft Power Enabling it to Travel the World

BANGKOK, Oct 13, 2023 – (ACN Newswire) – Over 150 industry leaders gathered in Bangkok for the Asia Video Industry Association’s (AVIA) Thailand in View conference, for a day of discussions centered around the State of Video in Thailand, the Supremacy of Content and Boosting Advertising Revenue, before closing off with a keynote address on the Big Picture.

There was much optimism on the future of video and content, with many speakers agreeing that it was indeed Thailand’s time on the world stage. In his welcome address, Sompan Charumilinda, Executive Vice Chairman, True Visions Group, said that in a world where content was resonating and spreading across borders, we’ve now seen the success of Asian, and Thai content, with its heritage of content production second to none.

Commissioner Pirongrong Ramasoota of the National Broadcasting and Telecommunications Commission (NBTC), Thailand, expanded on the potential for Thailand, sharing that soft power was now a major national strategy, to address the lack of unified regulations and the lack of a strategic database of its creative and content centre, for effective policy execution. With 11 sectors to focus on, from film and gaming to fashion, although it was too early to predict its success, it was certainly a welcome direction. Commissioner Pirongrong also added that its key role was to regulate as well as promote the audio and video landscape, to make it fit for purpose in the digital age, economically, socially and culturally. With the strength of the Thai industry lying in the diversity of its content, the NBTC was also looking to promote content that reflected diversity and cultural uniqueness, and with the potential to be coproduced with other countries as well.

Content was also a key focus for the streaming platforms. Kanokporn-Jay Prachayaset, Country Manager, WeTV Thailand, Tencent Thailand, shared that while growth has slowed down post pandemic, WeTV remained optimistic, pursuing local originals more aggressively, and taking another step into producing original variety content. And for both iQIYI and WeTV, AI was already in play, increasing efficiencies and cost reductions, with Parnsuk (Poppy) Tongrob, Country Director for Thailand, iQIYI, adding that “iQIYI is AI presented by creative talent.”

Winradit (Win) Kolasastraseni, President, Digital Media, True Digital Group, also said that production was not just for the Thai audience, but for a global audience. However, what you do next after investing in local content was key, with a need to increase the value creation upstream to further downstream in distribution and monetization. “People are now recognizing that Thai can be a Korean option, or even a better version,” said Win.

For Danny Chung, Head of Talent and Content Development, THEBLACKSEA, there were technical hurdles that needed to be overcome such as infrastructure and government assistance, which was essential to the growth of Korean content and culture to the world. While there was no lack of content, there also needed to be the exchange of opportunity. “Neighbours within Asia have their own strengths and weaknesses, we can help each other, and give our pool of talent global visibility and the platform to access the rest of the world,” said Chung.

However, with piracy remaining a scourge in Thailand, Sirapat Vajraphai, Director of Copyright Office, Department of Intellectual Property (DIP), Thailand, placed emphasis on public awareness to understand the importance of copyright to reduce copyright theft. The general population has to understand that it is illegal and hurting the ecosystem and the creative economy, and ultimately hurting the consumer. And with creative content changing at a very fast rate and moving into streaming, what the DIP is doing is to enhance the fundamentals to match what is changing, and trying to change the law to place special emphasis on the rights of actors and how they can be better protected for streaming and online.

Expanding on the topic of Showcasing Thai Soft Power to the World, Surin Krittayaphongphun, President of TV Business and Executive Director, BEC World, said that soft power was very important for the entertainment industry and for its content to travel the world, and soft power was the weapon to bring more visitors in and showcase the country as well. For Birathon Kasemsri Na Ayudhaya, Chief Content Strategy, Investment & Partnership Officer, CP Group and True Corporation, soft power was about building brand love for Thailand. “Soft power is created by emotional value and emotional connection and video is the intersection of every form of emotional communication,” he added.

However not all video was perceived equally, as shown in the results of AVIA’s Thailand consumer research on usage and attitudes towards mass and premium OTT platforms, presented by AVIA CEO, Louis Boswell. Although mass platforms, such as social media and user-generated content, marginally outperformed premium OTT at the category level in terms of having high quality content, this result was driven mainly by two high volume UGC platforms. When looked at as individual services, 7 of the top 10 platforms ranked as having the highest quality content were premium OTT. Furthermore, when it came to the highest attention levels, 6 of the top 10 services were premium OTT. And for video platforms that Thai consumers would recommend, 7 of the top 10 platforms were premium OTT.

For Rathakorn Surbsuk, Head of Addressable TV Solution – Indonesia, Thailand, and Vietnam Cluster, GroupM Nexus, premium was not just talking about the price, but also the quality of content, and a safe environment for brands, with content produced by professionals. Said Surbsuk, “Clients can open their stores anywhere, but they would choose the right environment and the premium location that offers quality. . . in order to differentiate themselves from competitors and position themselves in the right place that reflects positively for the brand.” He also predicted that in 3 years’ time, the level of spending on premium OTT will grow five-fold.

Closing off the conference with his view on the future of content was Group Chief Executive Officer of The One Enterprise, Takonkiet Viravan. For Viravan, each project had to have a different balance between commercial and art to be successful, and it was becoming more and more important today, as you could no longer depend just on local advertising. With the need to go international, the content should be Thai as the selling point, but the execution and the style of storytelling needed to skew more towards western and international preferences, as a good balance. Although it was more of a challenge, it also gave more opportunities to tell different stories that appealed to different people, he said.  “You have to know your product and know which demographic it will appeal to. You have to put it where the viewers are,” added Viravan. And with the strong ecosystem that One Enterprise had as a content creator and distribution channel, coupled with the launch of their own OTT platform, OneD, producing their own originals to attract the streaming audience, Viravan remained cautiously optimistic for the future.

Thailand in View is proudly sponsored by Gold Sponsors True Visions and True Visions Now, and Silver SponsorsA+E Networks Asia, Akamai, NAGRA and PubMatic

Link here for a selection of photos from the event. Visit the event website for more details and photos.

About the Asia Video Industry Association

The Asia Video Industry Association (AVIA) is the trade association for the video industry and ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. AVIA is the interlocutor for the industry with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.

For media enquiries and additional background please contact:

Charmaine Kwan
Head of Marketing and Communications
Email: charmaine@avia.org
LinkedIn: www.linkedin.com/company/asiavideoia | Twitter: @AsiaVideoIA


Topic: Press release summary

Future Electronics Hosts Advanced Engineering University in Singapore

 Future Electronics, a leading global distributor of electronic components, hosted their well-known training program, Advanced Engineering University in Singapore.

From June 12 to 16, 2023, Future Electronics employees, customers and suppliers from around Asia gathered in Singapore for five days of learning, networking, and team-building at Future Electronics’ Advanced Engineering University (AEU).

Future Electronics has hosted numerous editions of AEU, but this is the first time the event has been hosted in Singapore. Participants enjoyed ample opportunities for face-to-face discussions with suppliers and customers, and the ability to discuss project and technology needs and trends. Being that most participants were local, discussions could be region-specific which facilitated relationship building and knowledge sharing. AEU is also a wonderful opportunity for new team members to dive into the industry and network with key players.

Throughout the week of AEU, the suppliers in attendance shared their focus on new products and technologies, allowing Future Electronics’ engineers the opportunity to connect customers with new trends to fit their needs.

AEU helps equip engineers with the knowledge to identify opportunities and best support their customers. The intimate week also facilitates a connection between peers, leading to greater trust and performance on the job.

About Future Electronics

Future Electronics is a global leader in electronics distribution, recognized for providing customers with global supply chain solutions, custom-tailored engineering services and a comprehensive suite of passives and semiconductor products. Founded in 1968, Future Electronics has over 5,500 employees and operates in 170 offices in 44 countries around the world. Future Electronics is globally integrated, with a unified IT infrastructure that delivers real-time inventory availability and access to customers. With the highest level of service, the most advanced engineering capabilities, and the largest available-to-sell inventory in the world, Future’s mission is always to Delight the Customer®. For more information, visit www.FutureElectronics.com.

Media Contact

Jamie Singerman
Corporate Vice President Worldwide
Future Electronics
www.FutureElectronics.com
514-694-7710
Fax: 514-693-6051
Jamie.Singerman@FutureElectronics.com

Future Electronics
Jamie Singerman
514-694-7710
https://www.futureelectronics.com/
237 Hymus Boulevard
Pointe Claire, Quebec, Canada, H9R 5C7

ContactContact

Categories

  • Electronics

LG to Share Future Vision for on-the-Road Experiences at IAA Mobility 2023

SEOUL – WEBWIRE

LG Electronics (LG) announced that it will unveil its vision for the future of mobility at IAA Mobility 2023 in Munich, Germany.

On September 4, the day before IAA Mobility (September 5-10) opens its doors, the company will hold a press conference on the Main Stage (Hall A1) at the Messe Mnchen exhibition center during IAA Media Day, which will give the opportunity to learn how LG is Taking Lifes Good on the Road in person.

Presenting at IAA Mobility for the first time, LG will provide its vision of the in-vehicle experiences of the future and illustrate the highly advanced mobility ecosystem the company proposes to its partners and customers.

This press conference holds great significance as the Vehicle component Solutions Companys business has emerged as LGs primary business and driving growth engine. LG has already been recognized for its unique competitiveness across various industries. The company leverages the customer insights and customer experience know-how it has accumulated through its home appliances and IT products to expand into the mobility sector.

During a press conference held in South Korea in July, the company declared its transition to a Smart Life Solution Company and emphasized its commitment to actively responding to ever-evolving automobile trends. With its customer-oriented DNA embodied from the B2C business, LG aims to boost sales and solidify its position as a top-tier global company in the mobility industry.

The IAA Mobility 2023 press conference will be livestreamed on the companys website and LG Global YouTube channel.

The Future of the Hairdressing Industry: An Economist’s Perspective

COVENT GARDEN, U.K.June 7, 2023PRLog — As an economist specialising in the consumer services industry, I have watched with great interest as this dynamic sector has adapted and evolved in response to various economic and societal trends.

I offer a more statistically detailed prediction of where this industry may find itself in the next 5 to 10 years.

A Snapshot of the Hairdressing Industry

As of December 2022, there were roughly 40,000 hairdressing businesses operating in the UK. The workforce serving these businesses included full-time, part-time, and self-employed hairdressers and barbers, accounting for approximately 270,000 workers.

Anticipated Growth in the Sector

Let’s start by addressing industry growth. Over the past decade, we’ve seen an average annual growth rate of around 2%. If we apply this growth rate for the next 5-10 years, the number of hairdressing businesses could potentially increase to approximately 44,000 by 2026 and nearly 49,000 by 2031.

Similarly, if we assume the workforce will also grow by the same 2% annually, we could expect the number of hairdressers and barbers to rise to about 295,000 by 2026, and over 324,000 by 2031.

Here’s why:

  • Increased Demand for Professional Services: As knowledge about hair care and styling grows, consumers are showing a preference for professional services over DIY solutions. This trend towards professionalisation is expected to continue, driving growth in the industry.
  • Technological Advancements: The adoption of technology in the hairdressing industry has the potential to increase efficiency and customer satisfaction. This, in turn, can lead to growth in the number of businesses as they can reach and serve more customers effectively.
  • Urbanisation and Changing Lifestyles: Urbanization and changing lifestyles can contribute to industry growth as well. In densely populated urban areas and among busy working professionals, convenience is key. The demand for quick and accessible hairdressing services is expected to rise, leading to an increase in businesses to meet this demand.
  • Workforce Expansion: The growth in the number of hairdressing businesses naturally leads to an expansion of the workforce. Additionally, hairdressing and barbering continue to be popular career choices due to the creative fulfilment, flexible working conditions, and the ongoing demand for these skills.

Technological Impact on Revenue

The impact of technology on business revenue is substantial. Consider that salons that have already adopted online booking systems, virtual consultations, and data analytics reported an increase in customer satisfaction and repeat business by an average of 20%.

If these technology trends continue to expand across the industry, the average annual revenue per salon, currently around £85,000, could see an increase of up to £102,000 by 2026, and up to £122,400 by 2031, representing a 20% increase every five years.

Sustainability and Consumer Spending

A Nielsen report in 2018 found that 81% of global respondents felt strongly that companies should help improve the environment. This consumer sentiment is expected to increase and influence spending habits.

Assuming that salons switching to eco-friendly products and practices attract more customers, they could experience an increase in business of up to 15%. Therefore, a salon currently making £85,000 a year could potentially increase its revenue to nearly £98,000 by 2026 and over £112,000 by 2031 just by prioritising sustainability.

Specialised Services and Market Demand

With increasing professionalisation and specialisation in the industry, specialised services are expected to constitute a larger percentage of revenue. In 2021, services like hair colouring, extensions, and treatments for specific conditions accounted for approximately 40% of a salon’s revenue.

If the demand for these services increases by an estimated 3% per year, specialised services could contribute up to 55% of a salon’s revenue by 2026 and approximately 65% by 2031.

Bullish Times Ahead

The combination of industry resilience, consumer demands for sustainability, the ability to offer specialised services, and the embrace of technology make the hairdressing industry an exciting field. As we move towards the future, the sector seems poised for innovation and growth, offering a promising outlook for both businesses and professionals within the industry.

Bella Bouji

What does the future of human memory and the transmission of knowledge look like in an increasingly virtual world? Oana Suteu Khintirian’s NFB doc Beyond Paper opens June 9 in Toronto at the Hot Docs Ted Rogers Cinema

TORONTO, ON – WEBWIRE

Oana Suteu Khintirians NFB-produced feature doc Beyond Paper will open on June 9at the Hot Docs Ted Rogers Cinema in Toronto.

In this visually arresting film, the director journeys around the globe to better understand how she can preserve her own heritage, as well as our collective memory. Beyond Paper grapples with essential questions at a critical moment in the history of the written word, as humanitys archives migrate to the cloud.

Director Oana Suteu Khintirian will be in Toronto for a Q&A on June 13.

The film had its world premiere on March 15 at the International Festival of Films on Art in Montreal and recently received the Cercle dor Award for Best Documentary at the Festival cinma du monde de Sherbrooke.

Screening schedule at the Hot Docs Ted Rogers Cinema

June 9 | 4:30 p.m.
June 12 | 4:00 p.m.
June 13 | 6:30 p.m. (Q&A with filmmaker)
June 17 | 4:30 p.m.

About the film

Beyond Paper (Au-del du papier) by Oana Suteu Khintirian (130min)
Producer: Nathalie Cloutier for the NFBs Quebec, Canadian Francophonie & Acadian Documentary Studio
Press kit: mediaspace.nfb.ca/epk/beyond-paper

  • In the age of the virtual revolution, how can we grasp the impact of the ongoing abandonment of books on thought and learning? Whats the future of our individual and collective memories? In this personal quest with universal resonance, the filmmaker embarks on a journey to understand how to preserve her cultural history, both Armenian and Romanian, and share it with her son.
  • From the fragile grain of centuries-old manuscripts to blinking servers in digital libraries, the film takes us around the world and introduces us to guides such as Maria Sebregondi, president of the Moleskine Foundation, who speculates on the possibilities of augmented paper; Brewster Kahle, founder of the Internet Archive, who describes the massive web library as fabulous and terrible; Maria Kodama, widow of Jorge Luis Borges and president of the Borges Foundation, who brings to life the words of the Argentinian writer, breathing contemporary meaning into them.
  • Filmed in locations including a city of libraries in the midst of the Mauritanian desert and El Ateneo Grand Splendid in Buenos Aires (one of the most beautiful bookshops in the world), as well as in Bucharest, Montreal, San Francisco, Milan and Copenhagen, Beyond Paper blends reflection and emotion, reminding us that human knowledge is above all an affair of the soul and the spirit.
  • The films poster was created by renowned Montreal animation filmmaker Theodore Ushev.

About the filmmaker

Oana Suteu Khintirian is a director and media artist of Romanian-Armenian origin who has lived in Montreal since 1995. She studied filmmaking, and over the last 20 years her dance films and documentaries, including Point de fuite, Passare and Flow, have won awards at numerous international festivals. In addition to her work as a director, Oana has created installations and immersive environments shown at museums and galleries around the world, and edited many documentaries and animated films. Beyond Paper is the first feature-length documentary shes directed.

French version here | Version en franais ici.

About the NFB

The NFB is Canadas public producer and distributor of award-winning documentaries, auteur animation, interactive stories and participatory experiences, working with talented creators across the country. The NFB is taking action to combat systemic racism and become a more open and diverse organization, while working to strengthen Indigenous-led production and gender equity in film and digital media. NFB productions have won more than 7,000 awards, including 12 Oscars. To access this unique content, visit NFB.ca.