30th Busan International Film Festival: Must-Watch Indian Films

A still from Tribeny Rai’s movie ‘Shape of Momo,’ included in the ‘Vision– Asia’ area at the 30th Busan International Film Festival. Picture: thanks to IMDB.

The Busan International Film Festival (BIFF) is Asia’s premier cinematic occasion, commemorating its 30th anniversary this year and showcasing a varied variety of movies from all over the world, consisting of a strong lineup of Indian films. From September 17 to 26, 2025, you can capture some extraordinary Indian storytelling on screen, therefore if you take place to be in Korea throughout the celebration, attempt not to lose out on the distinct experience. Here are the Indian movies that belong to the celebration’s lineup this year:

Indian Films at Vision– Asia Section

BIFF’s Vision area showcases brand-new skill in Korean and Asian independent movie theater, highlighting ingenious concepts and works that push borders, consequently finding up-and-coming filmmakers. Formerly part of’Korean Cinema Today– Vision’and committed to Korean indie movies, the Vision area is now an independent part of the celebration. Under its Vision– Asia classification, these 3 are the must-watch Indian movies.

If on a Winter’s Night

With a fondness for speculative storytelling that mixes documentary and fiction, Sanju Surendran’s If on a Winter’s Night follows a Kerala couple’s Delhi dreams turned severe truth when they lose their home to the city’s unforgiving winter seasons. Then, in the middle of the turmoil, they discover convenience in each other, and their relationship deepens in spite of the chances.

Kok Kookkook

Maharshi Tuhin Kashyap’s cinematic journey through this movie, checking out Guwahati’s landscape, is a mix of magic realism and scary. Kashyap records the city’s rugged appeal and the battles of migrants who call it home. As the characters face their identity and belonging, the story stimulates a state of mind that is both disturbing and gorgeous, stressing climatic storytelling and mythological styles.

Forming of Momo

The launching motion picture by Tribeny Rai, a joint production in between India and Korea, checks out identity, memory, and feelings as a female go back to her Himalayan home and comes to grips with household expectations, custom, and her own sense of self.

Indian Films Included in the Asian Project Market (APM)

APM unites emerging skill and links filmmakers with international financiers, manufacturers, and suppliers. This year’s choices cover a large range of styles, from social inequality and household enjoy to LGBTQ+ concerns and more. Take a look at the Indian movies that belong to this best occasion at BIFF this year:

Tough Daughters

Hard Daughters, helmed by star and filmmaker Soni Razdan and based upon Manju Kapur’s book of the very same name focuses on the styles of identity, feminism, and the weight of generational injury through an effective expedition of what it indicates to be a female, the weight of our experiences, and how social expectations can both shape and suffocate us.

Lanka (The Fire

Director Saurav Rai’s Lanka has to do with the causal sequences of battle. For Shiv, a school child, his household’s old van is more than simply a trip to school– it’s a continuous tip of their monetary troubles. When the van breaks down, his daddy is not able to pay for a brand-new one, which presses him to desperation. On the other side, an apparently safe karate match in between Shiv and his pal Simon sets off anger in between their households and slowly develops into an itch for vengeance that threatens to damage whatever.

The Last of Them Plagues (Guptam

Kunjila Mascillamani informs the story of a female whose self-reliance triggers public outrage. When her more youthful child goes missing out on, she frantically begins looking for her kid, and the location is all of a sudden pestered by strange and awful occasions. The residents, conservative and fast to evaluate, blame her for the mayhem, which lands her in a larger obstacle to show her innocence and find her child, all while attempting to hang on to what’s left of her shattered life.

The Magical Men

Filmmaker Biplob Sarkar is back at BIFF with The Magical Menhis LGBTQ+-themed motion picture and his 2nd significant trip after The Stranger made its existence felt at the celebration in 2023. This brand-new offering boasts an amazing global partnership, with manufacturers from Singapore, France, Bangladesh, and India coming together.

Moon

Pradip Kurbah’s Moon shines a light on our inner disputes and remorse. According to Kurbah, thanks to The Shillong Times“At its heart, Moon has to do with challenging the inner darkness all of us bring and finding hope and strength through connection, forgiveness, and strength.” Following numerous honors, consisting of the Kim Jiseok Award at Busan, Kurbah’s work continues to resonate worldwide, developing on the success of his earlier movie Ha Lyngkha Bnengwhich was picked for the Asian Project Market in 2020.